红花之歌 已完结

片名:《红花之歌》

类型:剧情片

上映时间:1919

上映地区:其它

导演:莫里兹·斯蒂勒

主演:Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼

集数: 更新至0集

语言:其它

【先机影视】分享1919年度热门好看的电影红花之歌，红花之歌是在其它地区上映的其它语言剧情片，由著名导演莫里兹·斯蒂勒倾情指导拍摄，拿到了10.0的高分评价。

《红花之歌》观后点评：红花之歌的导演莫里兹·斯蒂勒给观众带来一场非常震撼的视听体验，红花之歌有充满想象力的故事，红花之歌有充满创造力的画面，红花之歌带观众进入一个不一样的影视世界。

《红花之歌》抖音网友点评：红花之歌的精彩在于红花之歌的演员Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，他们每个人在各自的位置发挥了自己应有的作用，将红花之歌的故事剧情演绎得生动鲜活，让红花之歌的角色深入人心。

红花之歌的剧情讲述了：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.